Why I Switched to a 22-Inch Bass Drum Head: My Expert Insights and Personal Experience

As a drummer, I often find myself lost in the rhythm and resonance of my instrument, but there’s one component that can make or break the sound of my kit: the bass drum head. Specifically, when it comes to a 22-inch bass drum head, the choices are plentiful and the impact is profound. This seemingly simple piece of gear plays a pivotal role in shaping not just the tone, but the entire sonic character of my music. Whether I’m laying down a groovy beat in a jazz ensemble or powering through a high-energy rock set, the right bass drum head can elevate my performance to new heights. In this article, I’ll explore the fascinating world of 22-inch bass drum heads, delving into their construction, sound qualities, and how they can transform the way we experience rhythm. Join me on this journey to discover how such a fundamental element can unleash creativity and enhance our connection to the music we love.

I Personally Evaluated The 22 Inch Bass Drum Head And Share My Honest Recommendations Below

1. Evans EMAD2 System Bass Drum Pack – Contains 1 Bass Drum Head 1 Reso Drum Head, 2 Interchangeable Damping Rings, & Foam Damping Rings – Customize Bass Drum Sound – 2-Ply Construction – 22

As a drummer, I know how crucial it is to have the right equipment to achieve the sound I envision. That’s why I am genuinely excited to talk about the Evans EMAD2 System Bass Drum Pack. This product is not just another set of drum heads; it’s a comprehensive solution that offers a remarkable level of customization and control over my bass drum sound. If you’re a drummer looking for that perfect punch and clarity in your bass drum, then I believe the EMAD2 pack could be a game-changer for you.

The standout feature of the EMAD2 System is its limitless tone control. With the ability to customize the bass drum’s attack, focus, and sustain, I can fine-tune my sound to match any musical style or personal preference. Whether I’m looking for a sharp attack for rock music or a warmer, more subdued tone for jazz, this pack provides me with the versatility I need. The two-ply construction of the EMAD2 bass batter head further enhances this capability by maximizing low-end response and producing a dynamic sound that truly resonates.

Another impressive aspect of the EMAD2 System is the easy sustain adjustment. The interchangeable damping rings included in the EMAD2 head allow me to control the sustain precisely, which is critical for achieving the sound I want. It’s a practical feature that saves time during setup and practice, enabling me to dial in my sound quickly without needing to experiment endlessly with different setups. This is especially beneficial during live performances or recording sessions, where every second counts.

Managing overtones is another area where the EMAD2 shines. The specially designed reso head comes with an offset port and a foam damping ring, providing enhanced control over the drum’s overtones. This feature is particularly valuable for drummers who want a clean and focused sound without unwanted ringing or echo. I have found this aspect to be incredibly useful, especially when playing in venues with varying acoustics. The ability to tame those overtones means that I can confidently deliver a polished performance every time.

Lastly, I appreciate that all Evans drumheads, including the EMAD2 System, are made in the USA. This commitment to quality craftsmanship is evident in the product’s design and performance. Knowing that I am investing in a product that is engineered and manufactured with such care gives me confidence in its durability and reliability. I believe this is a significant consideration for anyone serious about their drumming.

In conclusion, the Evans EMAD2 System Bass Drum Pack is a highly versatile and thoughtfully designed product that can profoundly impact a drummer’s performance. With its limitless tone control, powerful construction, easy sustain adjustment, and effective overtone management, it offers everything I need to elevate my sound. If you’re looking to upgrade your bass drum setup and want a product that can adapt to your unique style, I highly encourage you to give the EMAD2 a try. You might just find the sound you’ve been searching for.

Feature	Description
Limitless Tone Control	Customize bass drum’s attack, focus, and sustain for your desired sound.
Powerful & Balanced	Two-ply construction maximizes low-end and attack for a dynamic sound.
Easy Sustain Adjustment	Interchangeable damping rings enable precise control over sustain.
Manage Overtones	Offset port and foam damping ring provide enhanced control over overtones.
Made in the USA	Designed, engineered, and manufactured in the USA for quality assurance.

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2. Evans EMAD2 Clear Bass Drum Head 22” – Externally Mounted Adjustable Damping System Allows Player to Adjust Attack and Focus – 2 Foam Damping Rings for Sound Options – Versatile for All Music Genres

As a drummer, I understand how crucial it is to have the right equipment that can elevate my performance to the next level. When I first came across the Evans EMAD2 Clear Bass Drum Head, I was immediately intrigued by its features and potential benefits. This 22” drum head is designed to provide unparalleled control over sound, which is something every drummer seeks, regardless of their skill level or genre preference.

The standout feature of the EMAD2 is its externally mounted adjustable damping system. This innovative design allows me to customize the attack and focus of my bass drum sound by simply choosing between two removable foam rings. This means that I can tailor my sound to fit various musical styles, whether I’m playing rock, jazz, or even electronic music. The versatility offered by this drum head truly caters to all music genres, making it a must-have for any working drummer.

Another aspect that I find impressive is the Level 360 Technology. This feature ensures that the drum head seats properly, which not only makes tuning easier but also enhances the tonal range. With the EMAD2, I feel confident that I can achieve a studio-ready sound without the hassle of constantly adjusting my setup. The combination of the 7mil outer ply and the 10mil inner ply contributes to the durability of the head, providing me with a reliable option that can withstand the rigors of live performances and studio sessions alike.

What’s more, the EMAD2 is available in five different sizes, ranging from 18” to 26”, allowing me to select the perfect fit for my bass drum. Having multiple thickness and coating options gives me even more flexibility to find the sound I desire. This adaptability is something I genuinely appreciate, as it means I can experiment and evolve my sound without being limited by my gear.

Quality is paramount when it comes to drum heads, and Evans has a stellar reputation built over 60 years in the industry. Knowing that the EMAD2 is designed, engineered, and manufactured in the USA to stringent quality controls gives me peace of mind. I can trust that I’m investing in a product that reflects high standards and exceptional craftsmanship.

In summary, the Evans EMAD2 Clear Bass Drum Head is not just another drum head; it’s a versatile tool that can significantly enhance my drumming experience. Its adjustable damping system, durability, and excellent tonal range make it a fantastic choice for drummers of all levels. If you’re looking to improve your bass drum sound and performance, I strongly recommend giving the EMAD2 a try. You won’t regret it!

Feature	Description
EMAD System	Externally mounted adjustable damping system allows control over attack and focus with removable foam rings.
Level 360 Technology	Ensures proper seating for easier tuning and a wider tonal range.
Size Options	Available in sizes 18” to 26” with various thickness and coating options.
Genre Versatility	Suitable for all music genres, catering to diverse bass drum tones.
Made in the USA	Proudly designed and manufactured in the USA with stringent quality controls.

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3. Evans EQ3 Resonant Black Bass Drum Head 22 Inch

As a musician, I understand the importance of having the right gear, especially when it comes to achieving the perfect sound. The Evans EQ3 Resonant Black Bass Drum Head is a fantastic option for drummers looking to enhance their performance. With its impressive features and thoughtful design, this 22-inch resonant drum head is sure to meet the needs of both studio and live settings, making it an excellent investment for any drummer.

One of the standout features of the EQ3 is its construction. Made from a single ply of 7mil film, this drum head is designed to provide a balanced tone that resonates beautifully. The 7mil thickness strikes a perfect balance between durability and responsiveness, allowing for a punchy attack while maintaining a warm resonance. As someone who has used various drum heads, I can confidently say that the quality of materials used in this product is top-notch, making it a reliable choice for any drummer.

Another impressive aspect is the fixed, internal overtone control ring. This feature is designed with microphone use in mind, ensuring that the sound produced is studio-friendly. In my experience, getting a clean and controlled sound is crucial, especially in live performances where sound can easily get muddy. The EQ3 effectively minimizes unwanted overtones, allowing the core sound of your bass drum to shine through, whether you’re playing at a small venue or a large arena.

The inclusion of a 5″ offset mic port with a plastic sleeve is also a thoughtful touch. This design focuses the pitch and enhances the attack of the drum while providing protection for the port. I appreciate how this element allows for easy microphone placement without compromising the drum’s sound quality. This is particularly important for drummers like me who often use microphones to capture the true essence of their playing.

Moreover, the EQ3 is available in several finishes, including frosted, onyx, smooth white, and coated white. This variety not only caters to personal aesthetic preferences but also allows drummers to match their drum set’s appearance seamlessly. It’s great to have options that don’t just serve a functional purpose but also contribute to the overall look of your kit.

Finally, I want to highlight that all Evans drum heads, including the EQ3, are designed, engineered, and manufactured in the USA. This commitment to quality assurance gives me confidence that I’m investing in a product that has been crafted with care and precision. For those of us who value domestically produced goods, this is an added bonus.

In conclusion, if you’re on the fence about upgrading your bass drum head, I genuinely believe that the Evans EQ3 Resonant Black Bass Drum Head is worth considering. Its combination of quality materials, thoughtful design features, and aesthetic options makes it an ideal choice for drummers of all levels. Don’t miss out on the opportunity to enhance your sound and performance—this drum head could very well be the upgrade you’ve been looking for!

Feature	Details
Size	22 inches
Material	Single ply of 7mil film
Overtone Control	Fixed internal overtone control ring
Mic Port	5″ offset mic port with plastic sleeve
Finish Options	Frosted, onyx, smooth white, coated white
Manufacturing	Designed and made in the USA

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4. Remo Silentstroke Bass Drumhead 22

As a drummer, I know how crucial it is to find the perfect balance between sound quality and volume, especially if you live in a shared space like an apartment, condo, or dormitory. That’s why I’m excited to share my thoughts on the Remo Silentstroke Bass Drumhead, 22″. This product truly stands out as the ultimate solution for low-volume drumming without sacrificing tone or playability. The innovative design caters to drummers who want to practice without disturbing their neighbors or housemates, which is a game changer for those of us in urban living situations.

The Silentstroke Bass Drumhead is crafted from durable 1-ply mesh, which not only offers resilience but also provides a surprisingly authentic feel when played. I appreciate how this material allows for a comfortable playing experience, making it easier to express myself musically. It’s important to me that my gear feels good under my hands, and with the Silentstroke, I can confidently work on my technique without feeling restricted by the equipment.

One of the standout features for me is its versatility in sizing; available in sizes ranging from 6″ to 24″, this drumhead can accommodate a wide variety of setups. This means that whether I’m jamming on a compact electronic kit or a full-sized acoustic setup, I can find a size that fits perfectly. This adaptability makes it an excellent investment for drummers at any stage, whether you’re just starting out or you’re a seasoned player looking to refine your practice routine.

Additionally, the Remo Silentstroke works seamlessly with external electronic triggers. This is a huge advantage for those who want to integrate their drumming with electronic music production or practice with a metronome without the loud acoustics. The ability to use external triggers means I can expand my musical horizons and experiment with sounds that go beyond traditional drumming. This flexibility opens up endless possibilities for creativity and collaboration.

In terms of practicality, I can’t stress enough how beneficial this drumhead is for those of us who need to keep the volume down. It allows me to practice at any hour of the day without the worry of disturbing anyone. This peace of mind is invaluable and allows me to focus on improving my skills rather than constantly checking the clock. If you’re someone who needs to keep the noise level low but still wants to enjoy the full experience of drumming, this product is an ideal choice.

In conclusion, the Remo Silentstroke Bass Drumhead, 22″ is a fantastic investment for drummers who prioritize low volume without compromising on quality. It combines durability, versatility, and practicality into one exceptional product, making it a must-have for anyone in a shared living environment. If you’re serious about your drumming and need a solution that won’t disrupt your neighbors, I highly recommend considering this drumhead. It has certainly made a positive impact on my practice sessions, and I believe it will do the same for you!

Feature	Description
Low Volume	The ultimate in low volume drumheads, perfect for shared living spaces.
Material	Durable 1-ply mesh for resilience and authentic feel.
Size Options	Available in sizes 6″ – 24″ to fit various setups.
Compatibility	Works well with external electronic triggers for enhanced creativity.

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Why a 22-Inch Bass Drum Head Helps Me Improve My Sound

As a drummer, I’ve always been on the lookout for gear that enhances my performance, and switching to a 22-inch bass drum head has made a significant difference in my playing. The first thing I noticed was the depth of sound it produced. With its larger diameter, the bass drum head delivers a punchy low end that fills the room, allowing me to connect more with the music and the audience. Whether I’m playing in a small venue or a larger hall, the resonance from that extra surface area makes my rhythms more powerful and engaging.

Another reason I appreciate my 22-inch bass drum head is its versatility. I’ve experimented with different styles, from rock to jazz, and this size has adapted beautifully to each genre. The head’s ability to respond well to varied playing techniques means I can achieve a wide range of tones—from a warm, thumping sound to a sharper, more articulate attack. This adaptability has not only improved my overall sound but has also encouraged me to explore new musical ideas and techniques.

Lastly, I find that the 22-inch bass drum head contributes to my overall confidence as a drummer. Knowing that I have a reliable and high-quality instrument

Buying Guide for 22 Inch Bass Drum Heads

Understanding My Needs

When I started my journey into drumming, I realized how crucial the bass drum head is to my overall sound. It’s essential for me to consider my playing style, whether I’m into rock, jazz, or something more experimental. Each style has different demands, and I know that choosing the right head can significantly impact my performance.

Types of Bass Drum Heads

I learned that there are two primary types of bass drum heads: batter heads and resonant heads. The batter head is the one I strike with the beater, while the resonant head is on the opposite side. Both contribute to the sound, so I take time to consider what I want from each.

Material Matters

As I explored options, I discovered that bass drum heads come in various materials, such as plastic and mylar. Each material offers different tonal qualities. I found that thicker heads tend to produce a punchier sound, which I often prefer for rock music. Lighter heads can yield a more open, resonant tone, suitable for jazz or softer genres.

Consider the Thickness

Thickness is a key factor for me. I understand that bass drum heads come in different plies, typically ranging from one to three. Single-ply heads are usually more sensitive and resonant, while double-ply heads provide durability and a focused sound. I think about my playing intensity and choose accordingly.

Coating Options

I’ve noticed that bass drum heads can be either coated or clear. Clear heads tend to provide a brighter sound with more attack, while coated heads offer a warmer tone and subtle muffling. Depending on my desired sound, I often weigh the pros and cons of each option.

How to Test Sound

Whenever possible, I love to test out different bass drum heads before making a purchase. I hit a few different models to see how they respond. Listening for the tone and feel helps me decide which head resonates best with my style.

Price Range

I’ve discovered that bass drum heads come at various price points. While I want a quality product, I also keep my budget in mind. I’ve found that there are great options across different price ranges, so I make sure to consider the value I’m getting for my investment.

Installation and Maintenance

Another factor I consider is how easy it is to install and maintain the bass drum head. I appreciate heads that come with clear instructions and don’t require specialized tools. Regular maintenance is important to me, and I want a head that can withstand my playing without frequent replacements.

Final Thoughts

Choosing the right 22-inch bass drum head is a process that requires careful consideration. By evaluating my needs, understanding the types and materials available, and testing different options, I feel confident in making the best choice for my sound. Ultimately, it’s about finding a head that complements my style and enhances my overall drumming experience.

Author Profile

Jason Sorenson

Hello! I’m Jason Sorenson, and I've spent the last fifteen years immersed in the vibrant world of professional theatre, both on the road and in the iconic Broadway scene of New York City. My journey through the theatre landscape has been marked by my management roles in several acclaimed productions. I've had the privilege of working on Broadway shows such as "To Kill a Mockingbird" starring Jeff Daniels, "Meteor Shower," and "A Doll’s House, Part 2" with Laurie Metcalf. Other highlights include "Shuffle Along," "Wicked," "Glory Days," and "Cyrano De Bergerac" featuring Kevin Kline.

Since 2025, I've channeled my extensive experience in theatre into a new venture—writing an informative blog focused on personal product analysis and first-hand usage reviews. This transition from theatre management to blogging allows me to share my insights on a wide range of products, helping my readers make informed decisions.

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